onqe5yYYpG3SbiesgRzSGerBiayAeKWe8sgmkKZ99S4RTzGWGgCOwnership snapshot 2026-10-14. Includes 34 listings.
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 collected 12
1. firsts are overrated
Being first? Totally overrated. Here's why:
- Published
- 2022-08-30
- Minted NFTs
- 10
1 held
ππ΄πΈππΈπ½πΆ ππ·π΄ πΌπ΄π°π½π πΎπ΅ πΆπ΄π½π΄ππ°ππΈπΎπ½
By anaglyphic
Defining and implementing abstractions is more practice than elaboration. Interfaces built through formal languages are shaped by a shared praxis whose consensual lessons are established as standards. The use of such normalised means to create art pieces is hence an intuitive deviation: tools fashioned as means to an end are often used for purposes that appear to be the exact opposite of their raison dβΓͺtre. Recent technosocial developments have enabled the tentative burgeoning of an economy nurturing these deviant applications. A new wave of the so-called βgenerative artβ milieu is attempting to mobilise both factors of production, capital and labour, to augment the manufacturing of such algorithms. While the nature of each factor is apparently unremarkable, their intersection in this space does yield an idiomatic result. Humans and tools which are engaged in this practice, because they are incentivized to systematically share the outputs of their research, participate in the transformation of both factors and, as such, in their own. The generative art milieu is building an attempt to seize the means of generation.
- Published
- 2022-08-30
- Minted NFTs
- 1000
21 held
Beauty in Code
By richer.tez
This ARTKL will be used to document, highlight, and occasionally offer an amateur examination of long form generative art on tezos. Each month will see a new addition to the ARTKL in the form of a revision through updating metadata in the token. Primary buyers will all receive an airdrop of one edition of Mikkel Hartmann's "7 Years of Bad Luck" as well as one NFT certificate of carbon offsets in the form of 10 trees planted. Example can be found at treeoffset.tez's objkt profile (please note - secondary will not receive initial airdrop, but will be eligible for future airdrops if address is holding the token at time of airdrop). All publications will remain in the ARTKL for posterity. The first publication showcases Yazid, and as such, royalties will be split on this token with him. Other artists to be showcased include Ileiv Oivm, Jeffrey Ventrella, Mark Knol, Anna Lucia, mjlindow, Juhani Halkomaki, idlebit, ginzi_o, Ross Goodwin, sableraph, and Mikkel Hartmann.
- Published
- 2022-08-30
- Minted NFTs
- 128
1 held
Index coverage
Last completed index sync: block 15334133 Β· Mon, 12 Oct 2026 00:50:17 GMT.