by 0x10
- Token ID
- 166317
- Minted
- 2021-12-15
oo96MVjNZabBeQFyh9HrDpq4e7cvekEcQSayHDCxv1nTaYEMYnRtz1SVTLcU39y97r9mRHMg4NN45mD728hAWcw
Ownership snapshot 2026-10-14.
by 0x10
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 Azux
onqudvAjNRJBM6EuwJabXpT2TVJRbNAvg5rLuCnjX7NfSE3oweXooRjF58xwnj6guHF4DyUNmWXQDAPhNAYwQ8Y9ToH2WgJkjWU4KAooESwfHRtLHjHY5Zjdg4e7vXivJNauNEM9vV4NbxuUoBLfT5CKFookkKjZScoYWCQ2SmLUVJKMysR6Jm5UT1jpmUzNCrHEbM29yZzUooB9w5DwL5DzJ31wT6TcoMqWR6Fpm4QTFUCNYgovBGyJR619KX5op3cpzfVtZ7PcQYjGWipSeRCNSg5KQzE27EvaNgyLDWLYPXAnGGooZoy8jpY9j9nLUtxVsUBvobKzqDQuDFypswKEgQVJVhyMZ331WooGb1xBAfoi2mp9WeNS7Rs9UjcsyCqEfwkopHua6jYft23T2TPVooWHsejBFsoX3JZ3VDzoHgxDnXfZwFUqqLQcKVet2LXtA4pM4CaopXTzgwis3Y53xfQycmug9cG1tUqhzxx25KHnAsvh78a6TUhFFDopCf1tsj46PCJcZPJar9bPYDQHTFTEMgPchpMpxqstHRA6wkqEDFour events in the summer of 2022 placed fxhash-based generative art in the spotlight, putting the relationship between the legacy art world and generative art community into focus. While large legacy art world institutions (Art Basel, Sotheby's, Christie's) have begun embracing on-chain generative art, the dealer sector remains skeptical. How can a bridge of appreciation be built between these worlds to ensure an inclusive future of creativity?
1 held
By anaglyphic
Defining and implementing abstractions is more practice than elaboration. Interfaces built through formal languages are shaped by a shared praxis whose consensual lessons are established as standards. The use of such normalised means to create art pieces is hence an intuitive deviation: tools fashioned as means to an end are often used for purposes that appear to be the exact opposite of their raison dβΓͺtre. Recent technosocial developments have enabled the tentative burgeoning of an economy nurturing these deviant applications. A new wave of the so-called βgenerative artβ milieu is attempting to mobilise both factors of production, capital and labour, to augment the manufacturing of such algorithms. While the nature of each factor is apparently unremarkable, their intersection in this space does yield an idiomatic result. Humans and tools which are engaged in this practice, because they are incentivized to systematically share the outputs of their research, participate in the transformation of both factors and, as such, in their own. The generative art milieu is building an attempt to seize the means of generation.
1 held
Last completed index sync: block 15334133 Β· Mon, 12 Oct 2026 00:50:17 GMT.