opGStoJ9XbXHukxRNgqkfH7NsSDFyQ3o7WgWh4u6AovxCCbtBmuOwnership snapshot 2026-10-14.
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 Somfay, Daniel Oropeza
Owner: _IKN_
- Token ID
- 706441
- Minted
- 2022-05-18
opNcPs74vFLkAGRdZJTvEHss1hs7SgEskk5fJ4gMimA1ikeBALooo9nGAtXge2vUAoJVw4cTxg3NvX3b6A8oPLdLAyNruMkaE5aqZSopGTXzuk74mJgQECMav33vVGp5M87uxXAr2CDCDbwZPJdjAcJrHArticles collected 6
The Apparitions Poem
By _IKN_
I first found out about Apparitions in March 2021, a collection by Aaron Penne (Artblocks). I was immediately hooked and fascinated by these ghosts. They inspired me so much that I wrote a little poem and played with different Apparitions that I owned at the time.
- Published
- 2022-09-01
- Minted NFTs
- 100
100 held Β· 20 listed
1. firsts are overrated
Being first? Totally overrated. Here's why:
- Published
- 2022-08-30
- Minted NFTs
- 10
1 held
ππ΄πΈππΈπ½πΆ ππ·π΄ πΌπ΄π°π½π πΎπ΅ πΆπ΄π½π΄ππ°ππΈπΎπ½
By anaglyphic
Defining and implementing abstractions is more practice than elaboration. Interfaces built through formal languages are shaped by a shared praxis whose consensual lessons are established as standards. The use of such normalised means to create art pieces is hence an intuitive deviation: tools fashioned as means to an end are often used for purposes that appear to be the exact opposite of their raison dβΓͺtre. Recent technosocial developments have enabled the tentative burgeoning of an economy nurturing these deviant applications. A new wave of the so-called βgenerative artβ milieu is attempting to mobilise both factors of production, capital and labour, to augment the manufacturing of such algorithms. While the nature of each factor is apparently unremarkable, their intersection in this space does yield an idiomatic result. Humans and tools which are engaged in this practice, because they are incentivized to systematically share the outputs of their research, participate in the transformation of both factors and, as such, in their own. The generative art milieu is building an attempt to seize the means of generation.
- Published
- 2022-08-30
- Minted NFTs
- 1000
2 held
Index coverage
Last completed index sync: block 15334133 Β· Mon, 12 Oct 2026 00:50:17 GMT.