- Token ID
- 290341
- Minted
- 2022-01-05
ons2umqesoLfHXF1QmwTGD2En7G8CXUXCnk5h969xZwxwuGJqSCtz1ixjzCmDKanGeyyMb6WaBpjf7uRU1VTgJr
Ownership snapshot 2026-10-14. Includes 105 listings.
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由AluanWang (王新仁)監製、funnysandwich (鳳梨三明治)製作、chad_Nrto3 (小茶)負責音樂、mashbean (黃豆泥) 負責機制設計,頂級的陣容組合將帶來全新的Tezos NFT Project,這次選擇由Fxhash發行!
2 held
I remember the first weekend of fx(hash). The funny thing is that I don't need to tell you the story. I documented the whole thing on twitter. Enjoy all the naivety:
2 held
By anaglyphic
Defining and implementing abstractions is more practice than elaboration. Interfaces built through formal languages are shaped by a shared praxis whose consensual lessons are established as standards. The use of such normalised means to create art pieces is hence an intuitive deviation: tools fashioned as means to an end are often used for purposes that appear to be the exact opposite of their raison d’être. Recent technosocial developments have enabled the tentative burgeoning of an economy nurturing these deviant applications. A new wave of the so-called “generative art” milieu is attempting to mobilise both factors of production, capital and labour, to augment the manufacturing of such algorithms. While the nature of each factor is apparently unremarkable, their intersection in this space does yield an idiomatic result. Humans and tools which are engaged in this practice, because they are incentivized to systematically share the outputs of their research, participate in the transformation of both factors and, as such, in their own. The generative art milieu is building an attempt to seize the means of generation.
3 held
Last completed index sync: block 15334133 · Mon, 12 Oct 2026 00:50:17 GMT.