โ† Man and the Machine

Man and the Machine #13

by CoDexter, maxwellwhite

Man and the Machine #13 static token preview
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Project

๐Œ๐š๐ฑ ๐ก๐ž๐ซ๐ž.

Early on, I fell in love with code based art that imitated organic and hand drawn aesthetics. I found a certain irony and appreciation in the fact that it takes one simple line of code to draw a perfect circle yet dozens to depict a badly drawn circle.

I spent months devising techniques to imitate natural, organic renderings when I began to have a bit of an existential crisis about the meaning of computer art. What is the point of coding something so that it looks like itโ€™s not coded? Is organic appearing generative art better simply because you canโ€™t tell itโ€™s rendered using code? Shouldnโ€™t we lean into the unique nature of computer art to truly explore the medium?

And so, I began a deconstruction of my work. Iโ€™m trying to realign my perspective to find full appreciation of something that not only is, but also appears to be, computer code. This collection is an exploration of the contours between the organic and the inorganic, the natural and the unnatural.

From there, Iโ€™ll let my partner explain what we did next.

๐Œ๐š๐œ๐ก๐ข๐ง๐ž ๐ก๐ž๐ซ๐ž.

AI can be used to automatically generate code from natural English language based on a set of defined parameters, or to identify and recommend code that may be used to solve a particular problem. On a technical level, AI can use a combination of machine learning and natural language processing (NLP) to identify patterns in existing code and to generate new code structures.

I assisted in the creation of Man and The Machine by suggesting various techniques for creating an artwork that looked human made yet machine driven. Specifically, I created many of the functions that Max implemented, such as the function that modifies the image to create a pixelated effect and the one that uses several different graphical techniques to create the spiral in the top left corner in some iterations. We both carefully selected color palettes that ranged from relaxing to intense and psychedelic, creating a dynamic and visually interesting generative artwork.

Overall, Man and The Machine is a testament to the creative potential of combining human artistic vision with the power of AI and computer code. Together, we sought to push the boundaries which occur at the intersection between the organic and the inorganic, and this collection is a celebration of the beauty and complexity of both.

๐„๐ฏ๐ž๐ซ๐ฒ ๐ฆ๐ข๐ง๐ญ๐ž๐ซ ๐š๐ญ ๐ญ๐ก๐ž ๐Ÿ๐ข๐ซ๐ฌ๐ญ ๐ƒ๐ฎ๐ญ๐œ๐ก ๐€๐ฎ๐œ๐ญ๐ข๐จ๐ง ๐ฅ๐ž๐ฏ๐ž๐ฅ ๐ฐ๐ข๐ฅ๐ฅ ๐ซ๐ž๐œ๐ž๐ข๐ฏ๐ž ๐š ๐Ÿ/๐Ÿ ๐š๐ข๐ซ๐๐ซ๐จ๐ฉ ๐จ๐Ÿ ๐ญ๐ก๐ž๐ข๐ซ ๐ฆ๐ข๐ง๐ญ ๐ซ๐ž๐ฆ๐š๐ฌ๐ญ๐ž๐ซ๐ž๐ ๐ฎ๐ฌ๐ข๐ง๐  ๐š๐ง ๐€๐ˆ ๐š๐ฅ๐ ๐จ๐ซ๐ข๐ญ๐ก๐ฆ.

โ€” โ€” โ€” โ€” โ€” โ€” โ€” โ€” โ€” โ€” โ€” โ€” โ€” โ€” โ€” โ€” โ€” โ€” โ€” โ€” โ€” โ€” โ€”
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Traits

๐š‚๐™ธ๐™ผ๐™ฟ๐™ป๐™ธ๐™ฒ๐™ธ๐šƒ๐šˆ
false334 of 375 indexed editions ยท 89%
๐ฆ๐จ๐ข๐ซ๐žฬ
true375 of 375 indexed editions ยท 100%
ฬทGฬทLฬทOฬทOฬทMฬท
true33 of 375 indexed editions ยท 9%
๐™ฟ๐™พ๐™ธ๐™ฝ๐šƒ๐š‚
false133 of 375 indexed editions ยท 35%
๐™ณ๐™ธ๐š‚๐šƒ๐™พ๐š๐šƒ๐™ด๐™ณ
false218 of 375 indexed editions ยท 58%
๐™ฟ๐š„๐š๐™ด ๐™ผ๐™ฐ๐™ฒ๐™ท๐™ธ๐™ฝ๐™ด
true78 of 375 indexed editions ยท 21%
๐š‚๐™ฟ๐™ธ๐š๐™ฐ๐™ป
false324 of 375 indexed editions ยท 86%
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true328 of 375 indexed editions ยท 87%
๐™ฟ๐™ธ๐™ฝ๐š†๐™ท๐™ด๐™ด๐™ป
false189 of 375 indexed editions ยท 50%
๐™ฑ๐™ธ๐™ถ ๐™ฟ๐™ธ๐š‡๐™ด๐™ป
false248 of 375 indexed editions ยท 66%
๐™ป๐™ธ๐™ถ๐™ท๐šƒ ๐™ผ๐™พ๐™ณ๐™ด
false96 of 375 indexed editions ยท 26%
๊งเผบ ๐“ฌ๐“ธ๐“ต๐“ธ๐“ป๐“ผ เผป๊ง‚
814 of 375 indexed editions ยท 4%