- Token ID
- 307637
- Minted
- 2022-01-06
ooLafro1uDeUJPuje92MZ7xNZNA6daThXD8va5UcVAsfacSfsAVtz1ZsmzfoEtGPamwXbAB14xf2oupBABsKCsE
Ownership snapshot 2026-10-12.
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 essay about physics, religion and feelings. Now remastered and upscaled! Not sure if it's appropriate here, but it seemed right to take the chance of doing the wrong thing.
1 held
By anaglyphic
Defining and implementing abstractions is more practice than elaboration. Interfaces built through formal languages are shaped by a shared praxis whose consensual lessons are established as standards. The use of such normalised means to create art pieces is hence an intuitive deviation: tools fashioned as means to an end are often used for purposes that appear to be the exact opposite of their raison dโรชtre. Recent technosocial developments have enabled the tentative burgeoning of an economy nurturing these deviant applications. A new wave of the so-called โgenerative artโ milieu is attempting to mobilise both factors of production, capital and labour, to augment the manufacturing of such algorithms. While the nature of each factor is apparently unremarkable, their intersection in this space does yield an idiomatic result. Humans and tools which are engaged in this practice, because they are incentivized to systematically share the outputs of their research, participate in the transformation of both factors and, as such, in their own. The generative art milieu is building an attempt to seize the means of generation.
4 held
Last completed index sync: block 15334133 ยท Mon, 12 Oct 2026 00:50:17 GMT.