Seed
ooed6nR7mHPVqEQNzRYvnSed2fFPUYNrC3aQvY2juDaaXQhsS4zHelloCarmello
tz1fsz5x9dABLHt97kvXAa3LYomtu1BVrS7e
DJ, musician, artist, collector, gardener. I am a human. Balance is key. Don't forget the magic!
Ownership snapshot 2026-10-12. Includes 5 listings.
Seed
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opZDAriFByqLy7PXVZEaHbrT3VxEsccHRmrRNUbXxarET8G6pVpArticles collected 2
ππ΄πΈππΈπ½πΆ ππ·π΄ πΌπ΄π°π½π πΎπ΅ πΆπ΄π½π΄ππ°ππΈπΎπ½
By anaglyphic
Defining and implementing abstractions is more practice than elaboration. Interfaces built through formal languages are shaped by a shared praxis whose consensual lessons are established as standards. The use of such normalised means to create art pieces is hence an intuitive deviation: tools fashioned as means to an end are often used for purposes that appear to be the exact opposite of their raison dβΓͺtre. Recent technosocial developments have enabled the tentative burgeoning of an economy nurturing these deviant applications. A new wave of the so-called βgenerative artβ milieu is attempting to mobilise both factors of production, capital and labour, to augment the manufacturing of such algorithms. While the nature of each factor is apparently unremarkable, their intersection in this space does yield an idiomatic result. Humans and tools which are engaged in this practice, because they are incentivized to systematically share the outputs of their research, participate in the transformation of both factors and, as such, in their own. The generative art milieu is building an attempt to seize the means of generation.
- Published
- 2022-08-30
- Minted NFTs
- 1000
1 held
Index coverage
Last completed index sync: block 15334133 Β· Mon, 12 Oct 2026 00:50:17 GMT.